pojagi/bojagi
Bojagi, also known as “pojagi,” is a traditional Korean wrapping cloth or patchwork textile art form. It has a history dating back to the Joseon Dynasty (1392-1897) and was used for various purposes, such as wrapping and carrying objects, covering food, and as a way to store and transport items. Bojagi were often made from small scraps of fabric, and the art form was a way to repurpose and recycle textiles.
Bojagi are typically made using a piecing technique where various fabric pieces are stitched together to create a larger piece of cloth. The seams are often flat-felled or double-folded, resulting in a neat and finished appearance on both sides of the cloth. The artistry of bojagi lies in the precise stitching and arrangement of fabric pieces, as well as the use of colors, patterns, and textures to create visually appealing and harmonious compositions.
While bojagi historically served functional purposes, they have also been recognized as a form of artistic expression. In contemporary times, bojagi-making is considered a traditional craft and a form of cultural heritage. Artists and crafters continue to create bojagi using traditional techniques, as well as experimenting with new materials and styles to bring this traditional art form into the modern world.
Bojagi can vary in size, from small pieces used to wrap gifts to larger ones that could cover furniture or other objects. The art of bojagi-making reflects not only the skill of the crafter but also the cultural values and aesthetics of Korean society.
Modern bojagi artists and old bojagi artists differ not only in the time period in which they create their work but also in their artistic influences, techniques, and the context in which their creations are produced and appreciated. Here are some key distinctions between modern and traditional (old) bojagi artists:
- Time Period:
- Old Bojagi Artists: These artists belonged to historical periods, primarily during the Joseon Dynasty and earlier. They created bojagi for functional purposes, such as wrapping and carrying items.
- Modern Bojagi Artists: These artists belong to contemporary times, typically from the late 20th century onwards. They engage with the traditional bojagi techniques and aesthetics while often infusing their work with modern artistic concepts.
- Function vs. Artistry:
- Old Bojagi Artists: Traditional bojagi were primarily utilitarian objects used for practical purposes like wrapping, carrying, and storing items. While they still displayed artistic skill, their main focus was functionality.
- Modern Bojagi Artists: Contemporary artists often elevate bojagi-making to a form of fine art. They may create bojagi pieces that prioritize artistic expression and aesthetics over utilitarian function. These pieces might be displayed in galleries and exhibitions rather than used for everyday tasks.
- Techniques and Materials:
- Old Bojagi Artists: Traditional bojagi were made using hand-sewing techniques and often incorporated recycled fabric scraps. The focus was on precise stitching and creating durable, functional textiles.
- Modern Bojagi Artists: While many modern artists still use traditional techniques, some may also incorporate machine sewing, contemporary fabrics, and other materials to create new visual effects and textures.
- Influence and Innovation:
- Old Bojagi Artists: Traditional bojagi artists were influenced by the cultural and societal norms of their time. Their work was often reflective of the values and aesthetics of the historical context in which they lived.
- Modern Bojagi Artists: Modern artists have the freedom to draw from both traditional influences and contemporary artistic trends. They might experiment with abstract designs, unconventional materials, and innovative approaches to create unique bojagi pieces.
- Purpose and Audience:
- Old Bojagi Artists: Traditional bojagi were created for practical purposes within a domestic context. Their audience consisted of individuals using the cloths for daily tasks.
- Modern Bojagi Artists: Modern artists might create bojagi as works of art meant for display in galleries, exhibitions, and cultural events. Their audience includes art enthusiasts and collectors interested in contemporary interpretations of traditional forms.
In essence, while traditional bojagi artists created functional textiles rooted in historical context, modern bojagi artists explore the intersection of tradition and contemporary art, adapting and reinterpreting the craft to suit the needs and aesthetics of the present day.
